It is used by bassists as well due to the Big Muff’s squeaky frequency response. I wanted to come out with a three knob distortion unit in a bigger box. I asked my buddy, Bell Labs designer, Bob Myer, to design a unit, one that would have a lot of sustain. When I got the prototype from Bob, I loved the long sustain. This was done by cascading the circuit into additional sections, each one clipped by twin diodes. However, when you clip, the tone can be a bit raspy. So, I spent a couple of days changing capacitors to roll off distortion in the highs, and eventually found that the best long sustaining tone that was a sweet violin-like sound was done by having three capacitors in different parts of the circuit rolling off the rasp. An earlier Electro-Harmonix pedal, the Axis Fuzz, was also manufactured for the Guild guitar company as the Foxey Lady and used a similar chassis as the early Big Muffs, but had a simpler two-transistor circuit. It was available at least until the mids. Due to its reliability, its low price and its distinctive sound, the Big Muff sold consistently through the s and was found in innumerable guitarists’ pedal collections.
Electro-harmonix / Big Muff Pi / 1970’s / Effect
Guitars Bass Amps Pedals Players. Greetings, fellow gear gluttons! Welcome back to Stomp School.
Tech 21, Inc., introduced SansAmp “Classic” (the original pedal design) in Face®, Big Muff Pi®, Pignose®, MXR +®, Tele®, Hiwatt®, and AC30® are registered trademarks of their respective one (1) year from the date of purchase.
Welcome to our distortion pedal buyers guide. We have reviewed all of the best distortion pedals and provided our feedback on all of them. See the table of contents below to jump to a specific distortion pedal. From smooth, warm overdrive to hard, crunchy distortion, this pedal can satisfy your distortion needs. What makes this distortion pedal so powerful and versatile is the amount of tone control it gives you, thanks to its three-band EQ.
Five control knobs let you dial in just the right tone. If you want a classic, warm tone, simply reduce the treble and increase the bass. For a cleaner sound in a full band setting, you can give the bass and kick drum some space by cutting the bass band. Like most MXR pedals, this one is great for metal guitarists.
There are very few websites dedicated to the Big Muff Pi, so I created this site with all of the information and history I have gleaned from various sources over the years, including some good photo references pix from my collection, stolen from ebay auctions, and sent to me by other generous Big Muff owners and audio clips. I think it is the most comprehensive one on the web. I have tried to sort out Muff fact from Muff fiction and clarify some confusing or contradictory details from other websites and articles, as well as include a comprehensive history about Electro-Harmonix and the story behind the origin of the Big Muff Pi for all you Muff junkies.
Be aware that it is overly and obsessiveley detailed, to a level much deeper than the average person would care to know, and the person who put it together obviously suffers from some type of OCD! It was their second best selling pedal in the s after the Small Stone phaser, and Mike Matthews said in that in terms of units sold for all versions, the Big Muff is their number one seller. Fuzz pedals like the Maestro Fuzz-Tone and Fuzz Face were very popular in the late s but the Big Muff was a very different and fresh take on the fuzz tone territory.
I’ve been wanting one for a while now, and finally picked one up on eBay (Russian Big Muff Pi, that is). It is a black box ‘reissue’ version, but I’m.
It produces a characteristic high distorted sound called fuzz. Ivor Arbiter took the round shaped enclosure idea from a microphone stand and it was the first pedal including a DPDT stomp-switch. The effect became very popular because Jimi Hendrix played it and there were not many distortion pedals around at that time. The gist of the Fuzz Face remains in the simple circuit that uses eleven components 2 transistors, 4 resistors, 3 caps and 2 pots and the astonishing tones created with them; delivering a soft asymmetrical clipping that changes to hard clipping in both semi-cycles under the fuzz pot action.
Arbitrer Electronics manufactured the pedal from to , Dallas Music Industries did a final batch in , after that the production stopped. During its lifetime the pedal went through some minor cosmetic but major sonic changes. The fuzz face was re-issued from to In Dunlop took over the production selling the fuzz face in different flavors. This analysis covers the first Arbitrer Fuzz Face model equipped with PNP germanium transistors from the first releases which are considered the best sounding.
dif. big muffs
I’m asking because my only distortion pedals are the EHX Little Big Muff and the EHX Double Muff I actually prefer the Double Muff, because it seems to make everything a bit less fizzy; with the LBM I sometimes struggle to get ‘definition’ out of it, and it seems to turn everthing I play into the ‘same’ sort of featureless angry buzz. I suppose what I’m looking for is a nice pedal that I can put before these effects which gives me a bit of dirt, but doesn’t overpower the overall texture.
With the EHX stuff going into reverb with long tails, everything I play just comes out sounding like early Jesus and Mary Chain, which is fun I’m looking for an overdrive pedal Can anyone recommend one?
Electro-Harmonix Big Muff Pi with Tone Wicker Electro-Harmonix Ego – Microphone Booster (’69 date stamp) Electro-Harmonix Nano Bass Big Muff Pi.
Forgot your password? By Chris Loeffler February 18, The pedal features true-bypass switching and is powered by a standard 9v center-negative style power supply or a 9v battery. This circuit is known for having a fatter bottom, less mid-scoop, and less gain than the typical Muff variant. What it does well is knock off white noise in the idle space between notes and is especially useful with single coil pickups. The Wicker control is the same that debuted in the NYC Big Muff Pi with Tone Wicker and subsequent Deluxe Big Muff Pi, opening up the higher end of the frequency bandwidth for brighter, cleaner treble that carries through a bit more attack.
Sonically, it sounds like a more modern, high-fidelity take on the Big Muff sound. With it off, the pedal sticks to the original tone stack that defined the Civil War sound.
Electro-Harmonix Big Muff Pi Very Good, $290.00
There are better off not authorized, no external power. Read more about big muff pi clicking for left-footed players. Greetings satire on draft-dodging, green, from the deluxe big muff pi, micro pog, however, One up on the eh triangle muff pi, accuracy and limiting, but i’m.
for examples of the raw lead tone and wall-of-sound use of this pedal. The V1 and V2 Big Muffs both spanned a similar range of circuit variants, so in that regard.
See photos for more information on cosmetic condition.
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Lee Hazelwood was an early pioneer of fuzz tone, it seems he had a fuzz box created by a radio station technician for use in the recording studio. This is one of the first instances of an electronic circuit being used to create a fuzz tone. Also recorded in was Marty Robbins track “Don’t Worry”, though it wasnt relaesed until January A faulty preamp on the console caused Grady Martin’s 6 string bass solo to come out very fuzzy.
Electro Harmonix Big Muff Pi. Made in Russia(Sovtek) Date code is (46th week of ) Version 8. Like new condition. % complete and all original.
Your question may be answered by sellers, manufacturers, or customers who purchased this item, who are all part of the Amazon community. Please make sure that you are posting in the form of a question. Please enter a question. The original Muff Fuzz had just a touch of overdrive and sounded like a vintage amp with a slightly torn speaker. Electro-Harmonix paired two of these together in one box to create the Nano Double Muff.
Use just one Muff for a hint of milky distortion, or cascade the second Muff for over-the-top overdrive that turns the milk into cream. In single mode, the amount of overdrive will lessen as you decrease the volume on your guitar. You can compensate for this by increasing the volume of the single Muff.